After Effectsįor me, as I always use After Effects, you can simply export to After Effects with the plugin, and select MOV Video, and, like when you render as ProRes 4444, your project will import into After Effects and, rather than a PNG sequence, it will import as one. Then import into your software of choice and submerge your character into your scene – it’s that simple. When you go to render your video, make sure you select Apple ProRes 4444 and this will keep the transparency. mov file really is as simple as clicking a button. mov file means you can keep the files down, and help keep your project tidy, which really helps the animation pipeline.Įxporting as a transparent. If you choose to export your characters as transparent png sequences, which is great, however, it would result in thousands of files (as each frame was a. mov files and use them in external effects and editing software such as Adobe After Effects, Final Cut Pro, DaVinci Resolve, Motion, HitFilm, and more.ĬTA supports both transparent video (MOV) and image sequence (PNG) export. Now with CTA 4.5 you can export your animated 2D characters as transparent. The 360 head turn feature is a game-changer, and the 3D-2D animation motion feature is ground-breaking. For example, the templates that come with CTA are a fantastic starting point for anyone looking at character animation, the free motions have you animating in no time.Īnother reason why CTA is fantastic is that there are always brilliant new additions. Cartoon Animator (CTA) is the only software package that I’ve used that was easy to use straight out of the box. Over the years, I have used many different software packages to animate – After Effects (using DuiK and Joysticks and Sliders), Adobe Animate, Moho and more. Cartoon Animator, a Must-Have 2D Animation Tool for Video Animation Makers With Cartoon Animator, you can create similar styles, easily and fast. I have a lot to thank the makers of Dot and the Kangaroo and Who Framed Roger Rabbit, as it was these 2 films that made me want to work in animation and film. And, for me as an 8-year-old, this film was absolutely mind-blowing and really cemented my fascination with both film and animation. One of the most famous films to mix 2D and live-action has to be the classic 1988 film, Who Framed Roger Rabbit, directed by Robert Zemeckis, starring Bob Hoskins and Christopher Lloyd as live-action characters, along with the other stars of the film, Roger Rabbit and Jessica Rabbit, and many more famous cartoons as 2D characters, in the groundbreaking film where cartoon characters and people coexist in the same world. Who Framed Roger Rabbit © Touchstone Pictures The quality is now a little dated, but it still has a magical charm and such a mesmerising style for a young child to see. Dot and all the other characters she meets in the film are 2D and the backgrounds are either live-action film or photos and, as a 5-year-old, this style really captivated my attention and creativity as it was so different from anything I had seen before. Dot and the Kangaroo © Yoram Grossĭot and the Kangaroo is a classic story from Australia that sees the main character Dot, lost in the Australian Bush. One film that sparked my early interest in animation was a film that used this technique – Dot and the Kangaroo. Bedknobs and Broomsticks © Disney My Interest in This Style This was a technique that Disney seemed to love as they created many classic movies mixing live-action and animation in films such as Bedknobs and Broomsticks, Song of the South, Mary Poppins, and more. The Alice Comedies were a series of live-action/animated shorts that followed Alice (a live-action girl) having adventures in an animated world with animated 2D characters. The earliest example of this style I could find was used in the 1918 series, Out of the Inkwell, followed soon after by the Alice Comedies series by Disney. This is sometimes known as hybrid animation, and it’s a technique that has been around for over 100 years. One of my personal favourite styles has to be when 2D and live-action are mixed together. There are many different styles of animation, 2D, 3D, stop motion, and more. The most time of which being at Abbey Home Media which was the UK’s leading independent home entertainment company for lots of well-known children’s shows, Care Bears, Topsy and Tim, Peter Rabbit, Sooty, Horrid Henry, Fireman Sam and more.īefore I start showing you the workflow of my creation, let me give you a quick introduction to 2D and live-action video. I have worked in Home Entertainment for 15+ years, in both the US and the UK, and on projects for Warner Brothers, Disney, BBC, Paramount, and many other studios.
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